About picking the remix winners
As I got the question of how we picked the winners for the remix contest, I will publicly disclose the reasoning behind our choices. First of all, we have judged on three main criteria: originality, creative use of the song material, and whether we liked the remix so much that we wanted to listen to it also outside of the actual listening for the contest purposes. We have, however, not focused very much on the quality of the remixes in terms of mixing, mastering, etc. We wanted something we wouldn’t have done ourselves. When the new single is released on Monday you will be able to listen for the details I specify in this post…
The Argyle Raver: In this remix, we really enjoyed the big contrasts created between the verses and the chorus, which are much bigger than in the original version of The Man Without A Shadow. Also, we liked the hard electronic part of the verses. And when the build-up comes at 0.24, it is totally unexpected… Overall, we would not have been able to come up with this idea, or creating something that sounded like this remix.
DJ Alann Morse: This remix creatively focuses on transforming the whole mood of A Nuance of Future into a completely different song. The setting is different, gone is the hope for the future, instead a whole lot of electronic mysticism comes in and disturbs this dream anthem. Very interesting take on the song.
Jason & Sander: We really liked this remix from the first time we listened to it. It sort of takes the best from A Nuance of Future and places it in a slightly different context, keeping the dreamy feeling of it, but also added in chords and melodies that send shivers down at least my spine. What also strikes me is that the sound of this song resembles what I currently is working on for my next album. Once again, taking a remix taking the original song and making something truly new with it.
Shane Wittig: The thing we really like with this remix is that it combines the sound of the original 2006 version of A Nuance of Future with the sound of the new version made in 2009. Also, it puts it all into a sound context that sounds quite much like the sound that the first Lost Shadow records tried to achieve back in the early 2000’s. However, Shane succeeds much better with that sound than I ever did. Still not convinced? Listen to the rising synth part at 5.25, and you will understand the greatness of this thing.
stróm: Well, this remix is truly different. We like that the tempo is sort of halved, and also we really like the instrumentation. I think the wasteland feeling I get from this very much aligns with the feeling of the original version of The man without a shadow, meaning that they really complement each other in a very nice way. What stróm deos with the vocals towards the end (at 5.37 ->) is fantastic. I would never have thought of this use of my vocals! In addition, taking more than two minutes before the vocals come in is a bald move, and should be highly encouraged!
I hope this sorts out some uncertainties about our remix picking. As you can see, we have been highly subjective, and mostly judged from taste. The common denominator between the five is that they all became frequent playlist entries in my iPod during the last month, even at the times I did not listen for the context purposes, which I think indicates that I liked them the most…